I think about how we had planned to visit here earlier in the day, about how my own sketch had set us back a few hours, and can only marvel at this sudden twist of serendipity. What if we’d missed Ivo? What if our paths hadn’t crossed?
As I finish my first sketch of Prague in the dark – of elegant buildings and the cobblestoned way – our waiter brings over a candle and sets it down by my paint box. I’m surprised by how much light it casts across my sketchbook, and moved by his kind gesture.
I’m fascinated by how different the sketches in this Summer’s Sketchbook are. I’ve always loved that about art – how we each draw with our own “voice.” How boring would it be if we all sketched the world exactly the same?
Although i’s hard to believe that six weeks have officially passed since the launch of Beneath the Lantern’s Glow, I still want to take a moment and say thank you to everyone who has ordered it – it’s thrilling to now see the book in your hands!
It has been a summer of discovering new landscapes – the ethereal Shi Shi Beach of Olympic National Park, the desert canyons of Yakima River Valley in central Washington, and now I can add Desolation Wilderness to that list, too.
Carrying me through each step was the gift that Book Passage gave me, and others: assurance that we are on the right path. That every page written, every risk taken, and every dream believed are actually leading somewhere.
This week five years ago, I stepped on a plane bound for London – little did I know how much that trip would change my life. It’s this sense of possibility that keeps me moving through the world, as well as through life.
My absolute favorite part of sketching around Southeast Asia and Japan was sharing the journey with you, so I’d like to invite you to join me on this next sketching adventure from Prague to Petra – I have a feeling it’s going to be good.
It’s been almost two months now since I first got the email, asking if I’d like to chat about my sketches for a story on travel blogging. I was not only ridiculously excited to head to New York for the interview, but also immensely honored.
She soon leaves us as we sketch the Bay Bridge, but Suzanne’s words remain with me throughout the rest of the day. Whether I’ve been in a place for thirty seconds or thirty years, I never want to stop sketching – and more importantly, stop seeing.